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Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [6] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...
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In Summer 2016, production of D-Series cabinets was moved to the Marshall Amplification facility in Bletchley. The speakers are still manufactured to Eden's specifications by Eminence Speaker in Kentucky. On March 10, 2021, Marshall sold Eden and related assets to Gear4music (Holdings) plc for £140,000 (£100,000 of which was deferred). [1]
While the Bluesbreaker and Drivemaster replicated the tones of specific Marshall amps, the Shredmaster was a distortion pedal and replaced the other two pedals' three-band EQ setup with controls for Bass, Treble, and Contour, the last of which altered the character of the midrange while enhancing low and high frequencies.
In 1965, Pete Townshend and John Entwistle were directly responsible for the creation and widespread use of Marshall amplifiers powering stacked speaker cabinets. In fact, the first 100 watt Marshall amps (called "Superleads") were created specifically for Entwistle and Townshend when they wanted an amplifier that sounded like a Fender head but with much more power.
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
Ken Fischer died from complications due to chronic illness in 2006. John Mark, who was Ken's longtime friend and co-builder, decided to continue building amps under the Trainwreck name. Production of Trainwreck Amps resumed in 2009 with permission from Fischer's family. They are still made in Ken's workshop using his exact specifications.
Marshall reissued the 2×12" Bluesbreaker [1] in 1989; the 4×10" was never reissued. [7] This version used 6L6 tubes. [7] [10] In 1991, Marshall began making a Bluesbreaker overdrive pedal that was intended to emulate the sound of the original combo. [7] In 1999, a second version of the amplifier, the Bluesbreaker II, was released, [11] with ...
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