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2. List of Love sculptures - Wikipedia

   en.wikipedia.org/wiki/List_of_Love_sculptures

   LOVE sculpture Arts Park in New Castle, Indiana In New York City, New York In John F. Kennedy Plaza, Philadelphia with Museum of Art in the far background At the Scottsdale, Arizona Civic Center. Robert Indiana's pop art Love design was originally produced as a print for a Museum of Modern Art Christmas card in 1965.

3. Amor Vincit Omnia (Caravaggio) - Wikipedia

   en.wikipedia.org/wiki/Amor_Vincit_Omnia_(Caravaggio)

   Amor Vincit Omnia ("Love Conquers All") in Latin, known in English by a variety of names including Amor Victorious, Victorious Cupid, Love Triumphant, Love Victorious, or Earthly Love is a painting by the Italian Baroque artist Caravaggio.

4. Psyche Revived by Cupid's Kiss - Wikipedia

   en.wikipedia.org/wiki/Psyche_Revived_by_Cupid's_Kiss

   It represents the god Cupid in the height of love and tenderness, immediately after awakening the lifeless Psyche with a kiss. The story of Cupid and Psyche is taken from Lucius Apuleius' Latin novel The Golden Ass, [2] and was popular in art. Joachim Murat acquired the first or prime version (pictured) in 1800.

5. Robert Indiana - Wikipedia

   en.wikipedia.org/wiki/Robert_Indiana

   [33] However, after the two artists broke up in 1964 the cruder original artwork was changed by Indiana to the famous stacked LOVE. Indiana's red, blue, and green LOVE painting was then selected to appear on the Museum of Modern Art’s annual Christmas card in 1965. In an interview Robert Indiana said "It was the most profitable Christmas card ...

6. Love and Psyche (David) - Wikipedia

   en.wikipedia.org/wiki/Love_and_Psyche_(David)

   Love and Psyche or Cupid and Psyche is an 1817 painting by Jacques-Louis David, now in the Cleveland Museum of Art.It shows Cupid and Psyche.It was produced during David's exile in Brussels, [1] for the patron and collector Gian Battista Sommariva.

7. The Birth of Venus - Wikipedia

   en.wikipedia.org/wiki/The_Birth_of_Venus

   Botticelli represented the Neoplatonic idea of divine love in the form of a nude Venus. [28] For Plato – and so for the members of the Florentine Platonic Academy – Venus had two aspects: she was an earthly goddess who aroused humans to physical love or she was a heavenly goddess who inspired intellectual love in them. Plato further argued ...