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The Old Plantation is an American folk art watercolor probably painted in the late 18th century on a South Carolina plantation. [3] [4] [5] It is notable for its early date, its credible, non-stereotypical depiction of slaves on the North American mainland, and the fact that the slaves are shown pursuing their own interests.
Clementine Hunter (pronounced Clementeen; late December 1886 or early January 1887 – January 1, 1988) was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
The most famous paintings, especially old master works created before 1803, are generally owned or held by museums for viewing by patrons. Since museums rarely sell them, they are considered priceless. Guinness World Records lists Leonardo da Vinci's Mona Lisa as having the highest insurance value for a painting.
The 1,851-acre Old Combahee Plantation had been on the market for over a year with an initial asking price of $11 million. The most recent asking price was $9.5 million. The most recent asking ...
Cotton Pickers, oil painting on panel by William Aiken Walker Bombardment of Fort Sumter, Charleston Harbor, South Carolina, 1863, oil painting on canvas, 1886, Gibbes Museum of Art. William Aiken Walker (March 11, 1839 – January 3, 1921) was an American artist best known for genre paintings of African-American sharecroppers. He also ...
The highest known price paid for an artwork by a living artist was for Jasper Johns's 1958 painting Flag. Its 2010 private sale price was estimated to be about US$110 million ($154 million in 2023 dollars). All-time This is a list of highest prices ever paid—at auction or private sale—for an artwork by an artist living at time of sale. Adjusted price (in millions of USD) Original price (in ...
On Monday night's episode of "Antiques Roadshow," a painting that once graced the cover of The Saturday Evening Post back in the 1950s was valued at a price you won't believe.
Art valuation, an art-specific subset of financial valuation, is the process of estimating the market value of works of art. As such, it is more of a financial rather than an aesthetic concern, however, subjective views of cultural value play a part as well.
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