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The term Leeds Loiner was included by Joseph Wright, a native of nearby Windhill and Wrose, in the English Dialect Dictionary. The definition was "An inhabitant of Leeds". The entry suggests that the origin is linked to Marsh Lane in Leeds. [4]
In English essay first meant "a trial" or "an attempt", and this is still an alternative meaning. The Frenchman Michel de Montaigne (1533–1592) was the first author to describe his work as essays; he used the term to characterize these as "attempts" to put his thoughts into writing. Subsequently, essay has been
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A value judgment definition of literature considers it as consisting solely of high quality writing that forms part of the belles-lettres ("fine writing") tradition. [14] An example of this is in the 1910–1911 Encyclopædia Britannica, which classified literature as "the best expression of the best thought reduced to writing". [15]
An elegiac couplet consists of one line of poetry in dactylic hexameter followed by a line in dactylic pentameter. Because dactylic hexameter is used throughout epic poetry , and because the elegiac form was always considered "lower style" than epic, elegists, or poets who wrote elegies, frequently wrote with epic poetry in mind and positioned ...
Etymology (/ ˌ ɛ t ɪ ˈ m ɒ l ə dʒ i /, ET-im-OL-ə-jee [1]) is the study of the origin and evolution of words, including their constituent units of sound and meaning, across time. [2] In the 21st century a subfield within linguistics , etymology has become a more rigorously scientific study. [ 1 ]
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With Edgar Allan Poe's short story "The Man of the Crowd", the flâneur entered the literary scene. Charles Baudelaire discusses "The Man of the Crowd" in "The Painter of Modern Life"; [7] it would go on to become a key example in Walter Benjamin's essay "On Some Motifs in Baudelaire", which theorizes the role of the crowd in modernity. [8]