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Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
The Dipylon Master was an ancient Greek vase painter who was active from around 760–750 BC. He worked in Athens, where he and his workshop produced large funerary vessels for those interred in the Dipylon Gate cemetery, whence his name comes. His work belongs to the very late stage of the Geometric Style.
Dipylon Kraters are Geometric period Greek terracotta funerary vases found at the Dipylon cemetery; near the Dipylon Gate, in Kerameikos.Kerameikos is known as the ancient potters quarter on the northwest side of the ancient city of Athens and translates to "the city of clay."
Silver amphora-rhyton with zoomorphic handles, c. 500 BC, Vassil Bojkov Collection (Sofia, Bulgaria) An amphora (/ ˈ æ m f ər ə /; Ancient Greek: ἀμφορεύς, romanized: amphoreús; English pl. amphorae or amphoras) is a type of container [1] with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and ...
The Dipylon Amphora (also known as Athens 804) is a large Ancient Greek painted vase, made around 760–750 BC, and is now held by the National Archaeological Museum, Athens. Discovered at the Dipylon cemetery, this stylistic vessel belonging to the Geometric period is credited to an unknown artist
The pigments most commonly used on these funerary wares are blue, black, light purple, pink, and white. The heavy use of pink on many of these ceramics is how they got the nickname Magenta Wares. These would have been added to the pottery by adding white slip onto the ware and then adding the pigments on top. [1]
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