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Cop in the Hood: My Year Policing Baltimore's Eastern District is a book written in 2008 by a former Baltimore police officer, Peter Moskos.In this book Peter describes his one-year working in Baltimore's Eastern District.
It describes Jesus's disciples as branches of himself. The Moskos version Christ the Vine is an identical copy of a painting in the Byzantine and Christian Museum identified by historians as a mid-16th-century icon created by an unknown artist. [2] The Moskos version is located at the Benaki Museum in Athens, Greece. [3] [4] [5]
In the book, Moskos argues in favor of reforming the criminal justice system and the legalization of drugs. After calling for drug legalization in a Washington Post op-ed, [10] Moskos was criticized by Gil Kerlikowske, [11] and the president of the International Association of Chiefs of Police, Russell B. Laine. [12]
His icon was the framework for later painters of the maniera greca. Moskos painted his own version and significantly refined it. Emmanuel Tzanes painted his own version around the same period. The Moskos version is located at the Icon Museum in Recklinghausen, Germany. It was formerly part of the Minken Collection in London. [2] [3]
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Charles Constantine Moskos, Jr. (May 20, 1934 – May 31, 2008) was a sociologist of the United States military and a professor at Northwestern University.Described as the nation's "most influential military sociologist" by The Wall Street Journal, Moskos was often a source for reporters from The New York Times, The Washington Post, Los Angeles Times, Chicago Tribune, USA Today, and other ...
[3] [4] Proto-Renaissance painter Fra Angelico completed a version of the theme around 1432 called Death and the Assumption of the Virgin. Greek painters employed a common technique during the early Cretan School following the traditional lines of Greek Italian Byzantine painting.
The height is 91 cm (35.8 in) and the width is 70 cm (27.5 in). The work was completed in 1711. The first record of the icon was in 1742. The painting was mentioned in later catalogs namely 1904 and 1949. It was characterized as the work of Ioannis Moskos, the 1949 catalog also authenticated his