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Woman with a Hat (French: La femme au chapeau) is an oil-on-canvas painting by Henri Matisse.It depicts Matisse's wife, Amélie Matisse. [1] It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists later known as "Fauves".
Woman with a Hat by Henri Matisse (1905) During Matisse’s time in Collioure, he created multiple iconic Fauvist paintings in addition to The Green Stripe. Other famous paintings from this period include The Open Window, Collioure and Woman with a Hat. The Green Stripe was made within months of Woman with a Hat and the paintings have commonly ...
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Head of a Woman, from 'Les miroirs profonds: Henri Matisse', Paris, Pierre à Feu: 1947 Wood engraving on paper 24.13 cm x 20 cm Ann Arbor University of Michigan Museum of Art [23] Pierre à Feu, bookcover for "Les miroirs profonds: Henri Matisse", Paris, Pierre: 1947 Color lithograph on paper 24.29 cm x 20.96 cm Ann Arbor
Henri Matisse. Woman with a Hat, 1905. San Francisco Museum of Modern Art. Fauvism (/ f oʊ v ɪ z əm / FOH-viz-əm) is a style of painting and an art movement that emerged in France at the beginning of the 20th century.
Shortly after the opening of the Salon d'Automne of 1905 (on October 18, 1905), the Steins acquired Matisse's Woman with a Hat [37] and Picasso's Young Girl with a Flower Basket. [38] In 1906, Picasso completed Portrait of Gertrude Stein, which remained in her collection until her death. [39] [40]
No one's sure exactly why this woman had a story to tell, because this woman lived as many as 6,000 years ago. We can still imagine her intoning scary scenes with foreign howls. A charming man's buttery voice might've won over a reluctant, longhaired princess; a beguiling forest creature's dry cackle a smoke signal for danger.
Matisse depicts his model and companion of many years, Lydia Delectorskaya, in an exotic Moroccan clothing, surrounded by a complex of abstract design and exotic color. [1] This is an example of one of the final groups of oil paintings in Matisse's career, in 1950 he stopped painting oil paintings in favor of creating paper cutouts.