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Seven Sermons is a part of Jung's Red Book and can be described as its "summary revelation." [1] Seven Sermons is the only portion of the material contained in The Red Book manuscripts that Jung shared privately during his lifetime. [2] The Red Book was published posthumously in October 2009. [3]
Man and His Symbols is the last work undertaken by Carl Jung before his death in 1961. First published in 1964, it is divided into five parts, four of which were written by associates of Jung: Marie-Louise von Franz, Joseph L. Henderson, Aniela Jaffé, and Jolande Jacobi. The book, which contains numerous illustrations, seeks to provide a clear ...
It describes the poet's musings on death over a series of nine "nights" in which he ponders the loss of his wife and friends, and laments human frailties. The best-known line in the poem (at the end of "Night I") is the adage "procrastination is the thief of time", which is part of a passage in which the poet discusses how quickly life and ...
Jung became a full professor of medical psychology at the University of Basel in 1943 but resigned after a heart attack the next year to lead a more private life. In 1945, he began corresponding with an English Roman Catholic priest, Father Victor White , who became a close friend, regularly visiting the Jungs at the Bollingen estate. [ 1 ]
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
The Individuated Hobbit: Jung, Tolkien, and the Archetypes of Middle-Earth (1979) is a critical study of the works of J.R.R. Tolkien by Timothy R. O'Neill. It is written from a Jungian perspective, with particular emphasis on Jungian archetypes .
The death of a noble lady and the decay of her body is a series of kusōzu paintings in watercolor, produced in Japan around the 18th century. The subject of the paintings is thought to be Ono no Komachi. [18] There are nine paintings, including a pre-death portrait, and a final painting of a memorial structure: [18] [19]
[5] Southam's argument for an ironically humanist poem is countered, in turn, by Charles A. Huttar, who attempts to bring the poem back into alignment with a certain Christian worldview: for example, Huttar claims that "these rebel powers" that "array" the soul in line 2 refer not to "the physical being" or body but rather to the lower powers ...