Search results
Results from the WOW.Com Content Network
Based on Vasari's text in print about Giotto's new manner of painting as a rinascita (rebirth), author Jules Michelet, in his Histoire de France (1835), [5] suggested the adoption of Vasari's concept, using the term Renaissance (from French) to distinguish the cultural change. The term was adopted thereafter in historiography and is still in ...
The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
The Last Judgment in the Cattedrale di Santa Maria del Fiore, in Florence, Italy is a fresco painting which was begun by the Italian Renaissance master Giorgio Vasari in 1572 and completed after his death by Federico Zuccari, in 1579.
Renaissance architecture is the European architecture of the period between the early 15th and ... first appeared in Giorgio Vasari's Lives of the Most ...
The coat-of-arms of Vasari's Medici patrons appears at the top of his portrait, quite as if it were the artist's own. The framing of the woodcut image of Vasari's Lives would be called "Jacobean" in an English-speaking milieu. In it, Michelangelo's Medici tombs inspire the anti-architectural "architectural" features at the top, the papery ...
The Renaissance (UK: / r ... (1267–1337) began to reverse this decline in the arts. Vasari saw ancient art as central to the rebirth of Italian art. [147]
Other important sources for Vasari's motifs are their exedra of Cortile del Belvedere at the Vatican and the Nymphaeum fresco in the window embrasure of the Hall of Constantine, also in the Vatican Palace. The decorative scheme in the Sala dei Cento Giorni is systematized and framed into quadro riportato, or independent framed scenes of history.
The Italian Renaissance historian Giorgio Vasari used the term rinascita ("rebirth") in his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550, but the concept became widespread only in the 19th century, after the work of scholars such as Jules Michelet and Jacob Burckhardt.