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The serpent is often shown curled round the foot of the cross in depictions of the crucifixion of Jesus from Carolingian art until about the 13th century; often it is shown as dead. The crucifixion was regarded as the fulfillment of God's curse on the serpent in Genesis 3:15. Sometimes it is pierced by the cross and in one ivory is biting ...
Luke adds a third thing, an egg, (Luke 11:12.) which signifies hope; for an egg is the hope of the animal. To charity, He opposes a stone, that is, the hardness of hatred; to faith, a serpent, that is, the venom of treachery; to hope, a scorpion, that is, despair, which stings backward, as the scorpion. [5]
The doctrine of the serpent seed, also known as the dual-seed or the two-seedline doctrine, is a controversial and fringe Christian religious belief which explains the biblical account of the fall of man by stating that the Serpent mated with Eve in the Garden of Eden, and the offspring of their union was Cain.
The touch of Jesus's blood cures his eye problem: Christian legend has it that Longinus was a blind Roman centurion who thrust the spear into Christ's side at the crucifixion. Some of Jesus's blood fell upon his eyes and he was healed. Upon this miracle Longinus believed in Jesus. [12]
Adam, Eve, and a female serpent at the entrance to Notre Dame Cathedral in Paris, France. The portrayal of the image of the serpent as a mirror of Eve was common in earlier Christian iconography as a result of the identification of women as the ones responsible for the fall of man and source of the original sin. [1]
Seed of the woman or offspring of the woman (Biblical Hebrew: זַרְעָ֑הּ, romanized: zar‘āh, lit. 'her seed') is a phrase from the Book of Genesis: as a result of the serpent's temptation of Eve, which resulted in the fall of man, God announces (in Genesis 3:15) that he will put an enmity between the seed of the serpent and the seed of the woman.
The Brazen Serpent (illustration from a Bible card published 1907 by Providence Lithograph Company). Pseudo-Tertullian (probably the Latin translation of Hippolytus's lost Syntagma, written c. 220) is the earliest source to mention Ophites, and the first source to discuss the connection with serpents.
The Madonna and Child with St. Anne (Dei Palafrenieri) or Madonna and the Serpent [1], is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms (Italian: Arciconfraternita di Sant'Anna de Parafrenieri) [2] in the Basilica of Saint Peter [3] and taking its theme from Genesis 3:15.
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