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The term tizita is distinctly Amharic, there's no Geez equivalent, as opposed to the term nafkot which belongs to both languages with the same meaning (regret, emotion linked to a remembrance). [3] Tizita folk songs developed in the countryside by the Amhara peasantry and the village musicians called the Azmaris. [4]
Using the five-note pentatonic scale and asymmetrical rhythm from Tizita Qenet and his technical skills from New York, allowed him to create a unique sound he called "Ethio-Jazz". [5] Although Western music was not new to the country, Mulatu met some set-back against his creation as there was still a strong traditional mindset in Ethiopia.
The music of Ethiopia is a reflection of all the historical and social episodes, such as the military campaigns that various warlords or chiefs had to launch. The music is about war as well as patriotism, songs of victory, and songs that incite support for a certain crusade. [10] The music is also about love, with wonderful melodies and poetic ...
The following is an alphabetical list of notable musicians using Amharic vocals in their musical compositions. The Amharic language is predominantly used in Ethiopia
Qañat or Qeñet (Amharic: ቅኝት, alternatively spelled Kignit, Keniet, Gegnet, Gignit) are secular musical scales developed by the Amhara ethnic group of Ethiopia.Qañat consists in a set of intervals defining the mode of a musical piece or the tuning scale of the instrument playing the piece. [1]
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Vahe is known for his style – from rock to techno, reggae to R&B, Armenian to Ethiopian in Amharic [7] and a lot of Latin Music. Vahe was born and raised in Ethiopia. Both his parents (Garo Tilbian and Ani Aslanian) are of Armenian origin. His paternal grandfather escaped the Armenian genocide in 1923 and by way of Syria eventually settled in ...
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