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Literary alliteration has been used in various spheres of public speaking and rhetoric. ... General introduction to alliteration with examples from poetry, music, and ...
The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. [2]
Bagme Bloma ("Flower of the Trees"), an 18-line poem in Gothic in a trochaic metre, with irregular end-rhymes and irregular alliteration in each line. It is the only poem to be printed in Gothic. It was unofficially published in the rare and soon withdrawn 1936 Songs for the Philologists; [8] also in Tom Shippey's The Road to Middle-Earth. [9]
Accentual verse has been widespread in English poetry since its earliest recording, with Old English poetry written in a special form of accentual verse termed alliterative verse, of which Beowulf is a notable example. Anglo-Saxon poetry generally added two further basic elements to the basic four-beat accentual verse pattern: alliteration of ...
Mu'allaqat, Arabic poems written by seven poets in Classical Arabic, these poems are very similar to epic poems and specially the poem of Antarah ibn Shaddad; Parsifal by Richard Wagner (opera, composed 1880–1882) Pasyón, Filipino religious epic, of which the 1703 and 1814 versions are popular; Popol Vuh, history of the K'iche' people
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The earliest Latin poems, unlike early Germanic and English poetry, do not have obligatory alliteration. Most of the fragments of the early accentual Saturnian poetry listed by Lindsay exhibit no alliteration, although some do, for example the following line, attributed to Naevius (c.270–c.201 BC), which has alliteration of M, P, and T: