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Rat Fink [1] is one of several hot rod characters created by American artist Ed "Big Daddy" Roth, one of the originators of Kustom Kulture of automobile enthusiasts. [2] Roth conceived Rat Fink as an anti-hero to Mickey Mouse. Rat Fink is usually portrayed as either green or gray, comically grotesque and depraved-looking with bulging, bloodshot ...
The paintings in all can be seen in the book titled Rat Fink: The Art of Ed "Big Daddy" Roth published by Last Gasp in 1993. [ 11 ] The Orbitron , a Roth custom car that was the subject of a number of articles in automotive enthusiast magazines (most notably, in Car Craft magazine in 1965) [ 12 ] which was feared lost in subsequent decades, was ...
In 1964, he was invited to help in the design of Monogram automobile model kits using the "monster" cartoon characters he had developed to compete with Roth's "Rat Fink" character. In 1966 and 1967, Mouse and Alton Kelley lived and worked from 715 Ashbury across the street from 710 Ashbury, where members of The Grateful Dead resided. [4] [5]
Indian Larry was born Lawrence DeSmedt in Cornwall-on-Hudson, New York on April 28, 1949. He grew up in the Newburgh, New York area including the town of New Windsor. [1] [2] The oldest of three children, with two younger sisters, Diane and Tina, Larry was described by his mother, Dorothy, as "a good boy, but mischievous."
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Robert L. Williams, often styled Robt.Williams (born March 2, 1943), is an American painter, cartoonist, and founder of Juxtapoz Art & Culture Magazine.Williams was one of the group of artists who produced Zap Comix, along with other underground cartoonists, such as Robert Crumb, Rick Griffin, S. Clay Wilson, and Gilbert Shelton.
Arthur Fitzwilliam Tait (February 5, 1819 – April 28, 1905) was a British-American artist who is known mostly for his paintings of wildlife. [1] During most of his career, he was associated with the New York City art scene. Americans arguing politics in 1854 while ignoring the farm chores.
Early Netherlandish Painting: Its Origins and Character is a 1953 book on art history by Erwin Panofsky, derived from the 1947–48 Charles Eliot Norton Lectures.The book had a wide impact [2] on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general.