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A draw, sometimes known as a re-entrant in orienteering, is a terrain feature formed by two parallel ridges or spurs with low ground in between them. The area of low ground itself is the draw, and it is defined by the spurs surrounding it.
A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features.
Yinshan Rock Paintings [2] or Rock Paintings of Yinshan Mountains [3] (simplified Chinese: 阴山岩画; traditional Chinese: 陰山岩畫; pinyin: Yīnshān Yánhuà), also known as Petroglyphs in the Yinshan Mountains [4] or Rock Paintings of Yinshan Mountain, [5] are images carved into the rocks of the Yin Mountains and are widely distributed, [6] mainly on the cliffs of Wolf Mountain in ...
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Shan shui (Chinese: 山 水; pinyin: shān shuǐ; lit. 'mountain-water'; pronounced [ʂán ʂwèɪ]) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of shan shui paintings.
The artist's love of the mountains influenced other artists to depict the Diamond Mountains and even encouraged mapmakers to make maps of the area. Although Jeong Seon made many paintings of Mt. Geumgangsan, this painting is the largest and considered his best. Like many of his paintings, Jeong Seon painted this landscape while viewing the ...
Twin mountain drawing; This page was last edited on 18 October 2022, at 16:26 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4. ...
In the painting Mont Sainte-Victoire Seen from the Bibémus Quarry, c. 1897, as an example from this period, Cézanne concentrated on the peak of the mountain, floating above the reddish rocks below it. The mountain rises above the smooth, angular quarry, the crest tying the landscape together and providing a sense of stability.