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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
1994: Jim Hall: Jazz Guitar Environments (Hal Leonard) ISBN 978-0793524396 transcriptions taken from Star Licks video 2005: The Best of Jim Hall ( Hal Leonard ) ISBN 978-0634080241 2006: Adam Perlmutter and Jim Hall - Jim Hall Guitar Signature Licks ( Hal Leonard ) ISBN 978-0634080258 book and CD combination
Sher Music. 1991. ISBN 0-9614701-7-8. The New Real Book, Volume III. Sher Music. 1995. ISBN 1-883217-30-X. The Real Book, Volume I (6th ed.). Hal Leonard. 2004. ISBN 0-634-06038-4. The Real Book, Volume II (2nd ed.). Hal Leonard. 2007. ISBN 978-1-4234-2452-9. The Real Book, Volume III (2nd ed.). Hal Leonard. 2006. ISBN 0-634-06136-4. The Real ...
In 1995, Hal Leonard began distributing Homespun Music Instruction instructional video and audio materials. In 1997, Hal Leonard and Music Sales Group founded SheetMusicDirect.com, [3] the world's first website for digital sheet music and guitar tablature. [citation needed] In 2004, Hal Leonard acquired Applause Theatre and Cinema Books. [4]
The song had lyrics written by Jon Hendricks who has recorded it with the composer in Monk's album titled Underground (Columbia Records). "Lady Bird" [13] [140] [141] is a jazz composition by Tadd Dameron. "Nature Boy" [13] [16] [142] [143] is a song written by eden ahbez.
Turn Your Radio On: The Stories Behind Gospel Music's All-Time Greatest Songs. Zondervan. ISBN 0-310-21153-0. Crawford, Richard; Magee, Jeffrey (1992). Jazz Standards on Record, 1900–1942: A Core Repertory. Center for Black Music Rsrch. ISBN 0-929911-03-2. De Stefano, George (2006). An Offer We Can't Refuse: The Mafia in the Mind of America ...
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
The song is the most recorded jazz standard of all time. [2] "But Not for Me" [10] was introduced by Ginger Rogers in the Broadway musical Girl Crazy. It was composed by George Gershwin with lyrics by Ira Gershwin. The song failed to achieve significant pop success, charting only once in 1942.