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Deconstruction chose sharp turns, unidirectional movements, and disjointed connections, because in place of music, the visual arts and film provided important frameworks for songwriting.
Michael Murphy was recruited for the Deconstruction project. The band released the album Deconstruction in 1994; it did not sell well and earned mixed reviews from critics. [2] [4] [5] A video was produced for the track "L.A. Song". [6] The band never toured because Avery was uninterested in doing so after the stress of his years with Jane's ...
The genre's ethos and ideas are decidedly post-structuralist towards conventional music production and dance music. [ 9 ] In Latin America , deconstructed club is often influenced by Latin American and Afro-Caribbean sounds like reggaeton , baile funk , dancehall , and trival , [ 10 ] such as the work of Arca , a Venezuelan artist whose song ...
A music video is a video that integrates a song or an album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings.
Pages in category "Deconstruction (band) members" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. A.
Commercially, the song attained moderate success, peaking at number 16 in the United Kingdom and number 31 in Australia. The song's accompanying music video was directed by Keir McFarlane, and filmed in a school swimming pool in Los Angeles; it saw Minogue being pursued through the water by an ominous figure. "Where Is the Feeling?"
Critics gave the album largely mixed reviews, often while comparing Deconstruction to its predecessor Jane's Addiction. Trouser Press wrote that "while Deconstruction can claim a few decent songs and Dave Navarro’s dazzling guitar work, the album is ruined by utterly toneless vocals — both Navarro and bassist Eric Avery are credited, but whomever is doing the singing makes former bandmate ...
"Swamp Thing" is a song by British electronic music group the Grid, released on 23 May 1994 by Deconstruction as a single and is included on the group's third album, Evolver (1994). The song peaked at number three on the UK , Australian , and Danish singles charts and reached the top five in an additional seven countries, including Finland and ...