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The Jōmon pottery (縄文土器, Jōmon doki) is a type of ancient earthenware pottery which was made during the Jōmon period in Japan. The term "Jōmon" ( 縄文 ) means "rope-patterned" in Japanese, describing the patterns that are pressed into the clay.
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad. [32]
The earliest pottery in Japan was made at or before the start of the Incipient Jōmon period. Small fragments, dated to 14,500 BC, were found at the Odai Yamamoto I site in 1998. Pottery of roughly the same age was subsequently found at other sites such as in Kamikuroiwa and the Fukui cave. [18] [19] [20] Jōmon pottery in the Yamanashi museum.
Not listed are ancient earthenware pottery such as Jōmon pottery, Yayoi pottery, Haji pottery, Sue pottery, Kamui ware, etc. which are general topics whose origins and production cannot be linked to just one specific kiln. Shimamono are objects that were imported from southeast Asia, but later produced locally as well.
Cord-marked pottery required a technique of pressing twisted cords into the clay, or by rolling cord-wrapped sticks across the clay. The Japanese definition for the period of prehistory characterized by the use of pottery is Jōmon (縄文, lit. cord-patterned) and refers to the entire period (c. 10,500 to 300 BC). [18]
[1] [2] [3] As the earliest in Japan, this marks the transition from the Japanese Paleolithic to Incipient Jōmon. [4] Other pottery of a similar date has been found at Gasya and Khummi on the lower Amur River. [5] Such a date puts the development of pottery before the warming at the end of the Pleistocene. [4]
The Six Ancient Kilns (六古窯 Rokkoyō) is a category developed by Koyama Fujio (小山富士夫 1900–1975) in the post-war period to describe the most noteworthy ceramic kilns of Japan. [1] The six kilns are: [2] Bizen ware (備前焼, Bizen-yaki), produced in Bizen, Okayama
They were used as Japanese tea utensils under master Sen no Rikkyu and others. [5] Old Iga ware, which is known as Ko-Iga , generally reflects wabi-sabi aesthetics with a rustic appearance and purposefully deformed shapes, given extra character by the addition of "ear" lugs ( katamimi ) and intentional gouges and dents ( herame ).
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