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Contemporary cameras such as the Panavision Gold II can weigh as much as 60 lb (27 kg) depending on configuration. The Panaflex Lightweight II (1993) is crystal-controlled in one-frame increments between four and 36 frames per second, and has a fixed focal-plane shutter. 200°, 180°, 172.8° or 144° shutters can be installed by Panavision ...
The modern era of 35 mm cameras dates to 1972, when Arri's Arriflex 35BL and Panavision's original Panaflex models emerged as the first self-blimped, lightweight cameras. Another distinguishing characteristic of modern cameras is the adoption of stronger lens mount seatings secured with a breech lock – namely the Arri PL and PV mount , both ...
TLR cameras, SLR cameras, folding cameras, CCD and SLR camera lenses, large-format cameras Sigma: Japan: Compact digital cameras and SD-series DSLRs Sony: Japan: Cyber-shot compact digital cameras, α DSLRs, and Sony NEX MILCs Tevion: Germany: Compact digital cameras and trail cameras Thomson: France: Waterproof digital camera Traveler: Germany ...
The Contaflex series is a family of 35mm Single-lens reflex cameras (SLR) equipped with a leaf shutter, produced by Zeiss Ikon in the 1950s and 1960s. The name was first used by Zeiss Ikon in 1935 for a 35mm Twin-lens reflex camera, the Contaflex TLR; for the earlier TLR, the -flex suffix referred to the integral reflex mirror for the viewfinder.
The blimp was so close in size to the original camera, it looked small compared to the blimps made for Mitchell or Arriflex cameras. The XR35 was a crystal-controlled 35mm motion picture camera considerably lighter than the Hollywood studio–owned blimped Mitchells. The X stood for crystal, the R for reflex.
1.7 APS film and digital cameras - Vectis series. 1.8 Digital viewfinder cameras. 2 Exposure meters. ... Minolta repo (Half frame 35mm) Minolta 24 Rapid (Square ...
What set these cameras apart from earlier Pentax ones was the replacement of the M42 "universal" screw-lens mount with a proprietary bayonet mount system, known as the K mount. Still the basis for Pentax lenses and cameras today, the K mount offered greater convenience and enabled the production of faster lenses such as the 50 mm f /1.2. [17]
They made high-end, all-metal 35mm cameras with a similar high-end but smaller-volume market to Germany's Leica, Contax, and Rolleiflex. In the late 1930s, Pignons invited engineer Jacques Bolsky to design a camera for them. This he did with the Alpa-Reflex in the 1940s. In true Swiss fashion, each camera was individually crafted.
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