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Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
The Battle of Lepanto (Spanish: La Batalla de Lepanto [1]) is a painting by Filipino painter [1] and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture. [2] [3] [4] [5]
Paintings by Philippine artist Juan Luna (1857 — 1899) Pages in category "Paintings by Juan Luna" The following 19 pages are in this category, out of 19 total. ...
The Spoliarium is a painting by Filipino painter Juan Luna.Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators.The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid, where it garnered the first gold medal (out of three). [1]
The Odalisque is a famous 1885 painting [1] by award-winning Filipino painter and revolutionary activist Juan Luna.It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure".
Filipino art experts, historians, and researchers have four theories on the identity of the sitter in Luna's La Bulaqueña despite the lack of any photographs. According to Emilio Aguilar Cruz, a columnist for the Philippine Daily Globe newspaper, the woman in the portrait could be a woman Luna had courted after losing his wife Paz Pardo de Tavera.
The Parisian Life, also known as Interior d'un Cafi (also spelled Interior d’Un Café, [2] literally meaning "Inside a Café"), is an oil on canvas impressionist [3] painting made by Filipino painter and revolutionary activist Juan Luna in 1892. [4] The painting presently owned by the Government Service Insurance System is currently exhibited ...
La Madrileña (En el Balcón) is one of the paintings that illustrate Luna's inclination of making women an artistic theme, showing the artist's talent as an enthusiastic painter and observer of the fairer sex. La Madrileña (En el Balcón) is one of the few existing finished paintings that are regarded by art experts as a "legacy" from Luna. [1]
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