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One example is the Mantra of Light (kōmyō shingon), which is common in Japanese Soto Zen and was derived from the Shingon sect. [103] The use of esoteric practices (such as mantra) within Zen is sometimes termed "mixed Zen" (kenshū zen 兼修禪). Keizan Jōkin (1264–1325) is seen as a key figure that introduced this practice into the Soto ...
Esoteric practices are diffused throughout the Japanese Buddhist tradition in various forms outside of these schools. Mikkyō has been influential in Japanese culture and history, shifting aristocratic court culture away from the Confucian ritsuryō political structure, and contributing to the development of Japanese literature through waka and ...
A common practice for the Mantra of Light was to sprinkle pure sand, blessed with this mantra, on the body of a deceased person or their tomb, based on teachings expounded in the Sutra. The belief was that a person who had accumulated much bad karma, and possible rebirth in Hell would be immediately freed and allowed a favorable rebirth into ...
The 1000-day practice is an uncommon and specialized area of both ascetic and esoteric disciplines. The selection process for the kaihōgyō is after the first 100 days of practice, the gyōja or practitioner will petition the senior monks to complete the remaining 900 days.
In Chinese Buddhism there was no major distinction between exoteric and esoteric practices and the Northern School of Chan even became known for its esoteric practices of dhāraṇīs and mantras. [28] [29] Śubhakarasiṃha's most eminent disciple, Yi Xing, who was an influential Zhenyan figure in his own right, later practiced Chan Buddhism.
Aaron Proffit explains the benefits of the long version of the dharani according to the tradition of Chinese Esoteric Buddhism as follows: [4] Chanting this dhāraṇī one thousand times is said to purify all past karma, bestow rebirth in the highest level of Sukhāvatī, and produce visions of Sukhāvatī , Amitāyus Buddha, and assemblies of ...
Japanese esoteric Buddhism (Himitsu-bukkyō or Mikkyō) was created according to the Tendai and Shingon schools. To distinguish between them, Shingon was referred to as "Eastern Esotericism" (Tōmitsu), due to the location of one of its main temples in Kyoto, while the tendai esoteric practice (Mikkyō) was referred to as Taimitsu. [127]
The word dhāraṇī derives from a Sanskrit root √dhṛ meaning "to hold or maintain". [3] [30] This root is likely derived from the historical Vedic religion of ancient India, where chants and melodious sounds were believed to have innate spiritual and healing powers even if the sound cannot be translated and has no meaning (as in a music).