Search results
Results from the WOW.Com Content Network
The masque marked the début of the young Prince Charles, the future King Charles I, in the public life of the Stuart Court. Upon the death of his older brother Prince Henry in 1612, Charles had become the heir to the throne of his father, James I; but his youth and relatively poor health (he'd suffered from rickets as a child) kept Charles from assuming the kind of public prominence that ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
Ben Jonson and Envy (Cambridge University Press, 2009) Rosalind Miles. Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986) George Parfitt. Ben Jonson: Public Poet and Private Man (J. M. Dent, 1976) Richard S. Peterson. Imitation and Praise in the Poems of Ben Jonson ...
Shaa and Spenser were released quickly, and even Jonson was out of jail by early in October. Pembroke's Men were in action again, as were the other companies, before winter of that year. The only party permanently hurt was the Swan's impresario Francis Langley, who alone among the play's producers was not able to obtain relicensing. Langley had ...
The Vision of Delight was a Jacobean era masque written by Ben Jonson. It was most likely performed on Twelfth Night, 6 January 1617 in the Banqueting House at Whitehall Palace, and repeated on 19 January that year. [1] The Vision of Delight was first published in the second folio collection of Jonson's works in 1641.
The King's Entertainment at Welbeck in Nottinghamshire, alternatively titled Love's Welcome at Welbeck, was a masque or entertainment written by Ben Jonson, and performed on 21 May 1633 at the Welbeck estate of William Cavendish, 1st Duke of Newcastle.
Ben Jonson (c. 11 June 1572 – c. 16 August 1637) collected his plays and other writings into a book he titled The Workes of Benjamin Jonson. In 1616 it was printed in London in the form of a folio. [ 1 ]
All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London.That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Burgundian fencer who challenged all comers that year and was hanged for murder on 10 ...