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Sulayman, sometimes referred to as Sulayman III (Arabic script: سليمان, Abecedario: Solimán) (d. 1590s), [1] was a Crown Prince of the Kingdom of Luzon in the 16th century and was a nephew of Rajah Ache of Luzon. He was the commander of the Tagalog forces in the battle of Manila of 1570 against Spanish forces.
Luis Cámara Dery says that by the time De Goiti arrived in 1570, Rajah Matanda had already ceded authority to his nephew and heir apparent, Rajah Sulayman, while still retaining considerable influence. [1] According to William Henry Scott, however, Rajah Sulayman was not proclaimed paramount ruler until Rajah Matanda's death in 1572. [2]
The Battle of Bangkusay (Filipino: Labanan sa Ilog Bangkusay; Spanish: Batalla de Bangkusay), on June 3, 1571, was a naval engagement that marked the last resistance by locals to the Spanish Empire's occupation and colonization of the Pasig River delta, which had been the site of the indigenous polities of the Rajahnate of Maynila and Tondo.
Over time, the Lakandula's name has come to be written in several ways. However, according to the firsthand account written in Spanish by Hernando Riquel, the royal notary who accompanied Miguel López de Legazpi, the Lord of Tondo specifically identified himself as "Sibunao Lacandola, lord of the town of Tondo" [1] when he boarded Legazpi's ship with the lords of Manila on May 18, 1571.
Plaza Rajah Sulayman, also known as Rajah Sulayman Park, is a public square in Malate, Manila. It is bounded by Roxas Boulevard to the west, San Andres Street to the south, and Remedios Street to the north. The plaza is considered the center of Malate as it fronts the Malate Church, the main church of the district. Rajah Sulayman Monument
Rajah Humabon (also Hamabao or Hamabar in other editions of the "First Voyage Around the World") [1] later baptized as Don Carlos Valderrama, was one of the recorded chiefs in Cebu who encountered Ferdinand Magellan in the 16th century.
A pre-colonial couple belonging to the datu or nobility as depicted in the Boxer Codex of the 16th century.. Datu is a title which denotes the rulers (variously described in historical accounts as chiefs, sovereign princes, and monarchs) of numerous Indigenous peoples throughout the Philippine archipelago. [1]
The film has been described by film historian Jose Capino as belonging to the "cinema of decolonization" along with Lino Brocka's PX and Augusto Buenaventura's Sa Kuko ng Agila, all explicitly addressing the issue of the American military presence in the Philippines during the Bases era, as the 1970s saw growing political and legal debates over ...