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As much as we may want—or need—to write a love poem, it’s often difficult to find a language that adequately expresses the way we feel. For one thing, it’s hard to strike the right tone.
Chevrefoil" is a Breton lai by the medieval poet Marie de France. The eleventh poem in the collection is called The Lais of Marie de France and its subject is an episode from the romance of Tristan and Iseult. The title means "honeysuckle," a symbol of love in the poem.
Sohni Mahiwal is a tragic love story which inverts the classical motif of Hero and Leander. The heroine Sohni, unhappily married to a man she despises, swims every night across the river using an earthenware pot to keep afloat in the water, to where her beloved Mahiwal herds buffaloes.
Idylls of the King, published between 1859 and 1885, is a cycle of twelve narrative poems by the English poet Alfred, Lord Tennyson (1809–1892; Poet Laureate from 1850) which retells the legend of King Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom.
The king sits in Dunfermline toune drinking the blude reid wine, "O whar can I get skeely skipper, To sail this ship o' mine?" Up and spak an eldern knicht, Sat at the kings richt kne: "Sir Patrick Spens is the best sailor That sails upon the se." The king has written a braid letter, And signed it wi his hand, And sent it to Sir Patrick Spens,
Front matter of Boswell's copy of the 1732 edition of the Heroides, edited by Peter Burmann. Note the title Heroides sive Epistolae, The Heroides or the Letters.. The Heroides (The Heroines), [1] or Epistulae Heroidum (Letters of Heroines), is a collection of fifteen epistolary poems composed by Ovid in Latin elegiac couplets and presented as though written by a selection of aggrieved heroines ...
Kerem and Aslı (Azerbaijani: Əsli və Kərəm; Turkish: Kerem ile Aslı) is a tragic love story from the Turkish-Azerbaijani popular poetry of the 16th century.The story probably originated in Azerbaijan or Eastern Anatolia and is widespread throughout the Caucasus and Central Asia.
Most of the poems tell half-fictitious stories transpiring at sea and at the different ports Kavvadias visited during his journeys. The collection begins with a poem written in the first person about the writer's tragic love for a young wealthy girl he met on board and who later ended as a poor prostitute that he could barely recognise.