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Deutsch: Dionysos reitend auf einem Tiger, Fußbodenmosaik aus dem Haus des Dionysos, im Museum von Delos, Kykladen, Griechenland English: A Hellenistic Greek mosaic depicting the god Dionysos as a winged daimon riding on a tiger, from the House of Dionysos at Delos in the South Aegean region of Greece, late 2nd century BC; sources:
The Bacchus of Aldaia (Spanish: Baco de Aldaya) is an ancient Roman marble statuette of the Roman god Bacchus (Dionysus) that was found in La Ereta dels Moros in Aldaia, Valencia, in Spain, in two fragments between the years 1884 and 1924. [1] The god is depicted naked except for a deer skin draped over him and wearing sandals and a floral crown.
The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or "man-womanish". [303]
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
Pages in category "Dionysus in art" The following 22 pages are in this category, out of 22 total. This list may not reflect recent changes. 0–9.
The sculpture, reading the from viewer's left to right, begins with a scene that can be taken to be the birth of Dionysos. It consists of four figures beginning with a semi-draped seated figure who is likely Zeus facing him is a youth holding a small child, presumed to be Hermes and the infant Dionysos at the moment of his second birth from the thigh of Zeus. [5]
Dionysus and members of his thiasos on an Attic black-figure krater-psykter (525–500 BCE, Louvre Museum) In Greek mythology [1] and religion, the thiasus (Greek: θίασος, romanized: thíasos) was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the ...
The composition of the Delos mosaics and pavements include simple pebble constructions, chip-pavement made of white marble, ceramic fragments, and pieces of tesserae. [2] [6] [13] The latter falls into two categories: the simpler, tessellated opus tessellatum using large pieces of tesserae, on average eight by eight millimeters, [14] and the finer opus vermiculatum using pieces of tesserae ...