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"The Love Song of J. Alfred Prufrock" is the first professionally published poem by the American-born British poet T. S. Eliot (1888–1965). The poem relates the varying thoughts of its title character in a stream of consciousness .
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she should publish "The Love Song of J. Alfred Prufrock". [68] Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two.
"The Love Song of J. Alfred Prufrock" was set to music by Tony Garone and Scott Harris. The video was made by Tony Garone himself, with illustrations by Julian Peters. [10] [11] In the album I am Nothing, Versus Shade Collapse has produced a musical adaptation of the poem called "An Adaptation of The Love Song of J. Alfred Prufrock." [citation ...
The title and lyrics of the song reference the 1915 T. S. Eliot poem "The Love Song of J. Alfred Prufrock". [2] Lead vocalist Brad Roberts called it "a song about being afraid of getting old, which is a reflection of my very neurotic character". [3]
The Love Song of J. Alfred Prufrock: 1915: T. S. Eliot: It uses the metaphor of mermaids to emphasize Prufock's plight: "I have heard the mermaids singing, each to each. / I do not think that they will sing to me." See: The Love Song of J. Alfred Prufrock in popular culture. The Mermaid of Black Conch: 2020: Monique Roffey
"The Love Song of J. Alfred Prufrock" T.S. Eliot: Adapts elements of the T. S. Eliot poem. [36] "Ahab" The Graduate: MC Lars: Moby-Dick: Herman Melville: Retells the story of Moby-Dick from the perspective of Captain Ahab. [37] "Alice" Every Trick in the Book: Ice Nine Kills: Go Ask Alice: Beatrice Sparks [38] [39] "All I Wanna Do" Tuesday ...
A detached tone, or an opposite tone than the reader would expect, are sometimes purposely employed to elicit more of a response. In the opening lines of "The Love Song of J. Alfred Prufrock", T. S. Eliot quickly sets a certain tone, and then creates effect by juxtaposing it with a very different tone: Let us go then, you and I,
More recently T. S. Eliot's 1915 'The Love Song of J Alfred Prufrock' was influential on the persona poem. [28] "Prufrock" is a dramatic interior monologue of an urban man, stricken with feelings of isolation and an incapability for decisive action that is said "to epitomize frustration and impotence of the modern individual". [29]