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Beyoncé's new country single "Texas Hold 'Em" debuted at No. 50 on Billboard's country airplay chart and No. 54 on Mediabase, a rare feat for Black female country artists.
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1998, 26 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine.
Country Top 40 is a four-hour show based on the country singles charts tabulated by Mediabase. At the beginning of each show from its inception in 2006 until 2017, Kingsley played back snippets of the previous week's top 5 hits, ending with the #1 song from the previous week.
Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. [1]
Tracy Chapman's 'Fast Car' is again topping the charts with Luke Combs' cover of the song, which made Chapman the first Black woman with a sole songwriting credit on a No. 1 country song.
Just more than a week after being released, “Texas Hold ‘Em” topped Billboard’s Hot Country Songs chart at No. 1 and “16 Carriages” sat at No. 9. ... She is also the first woman to top ...
[3] [4] Zach Bryan's "Something in the Orange" was the year's first number one on Hot Country Songs; topping the chart in its 36th week on the listing, it gave the singer his first number-one country single. [5] [6] [7] A week later, Jelly Roll achieved the same feat when he topped the Country Airplay chart with "Son of a Sinner", [8] and Nate ...
Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. [2]