Search results
Results from the WOW.Com Content Network
The song "La Llorona" appears in the film Frida (2002), about Frida Kahlo, directed by Julie Taymor [9] and starring Mexican actress Salma Hayek. Chavela Vargas was invited for a special appearance, singing her version of "La Llorona". It is well known that Vargas was a close friend and a frequent house guest of Frida Kahlo and her husband ...
Statue of La Llorona on an island of Xochimilco, Mexico, 2015. La Llorona (Latin American Spanish: [la ʝoˈɾona]; ' the Crying Woman, the Weeping Woman, the Wailer ') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her.
Variants of the Llorona legend are told throughout Mexico and because of the Llorona figure can be pitied and feared at the same time. [15] Throughout all of the versions, the Llorona figure is known as "the white lady" because she wears white. [15] Legends similar to La Llorona include La Malinche and La Xtabay.
Jayro Bustamante's acclaimed 'La Llorona' reclaims a celebrated ghost story to expose the atrocities of Efraín Ríos Montt's military dictatorship in Guatemala.
The film is inspired by the legend of La Llorona, a woman who kills her children to get her lover back — and is condemned to an afterlife of mourning. 'La Llorona' is more horrifying than ever ...
This makes La Llorona briefly assume her human appearance and caress Chris, imagining him to be her real son. However, Sam accidentally unveils a mirror, and La Llorona reverts and proceeds to attack them. Anna stabs her through the chest with a cross made from a Fire Tree given by Rafael: trees that grew by the river where La Llorona drowned ...
La Llorona (lit. ' The Crying Woman ' ) is a 1933 Mexican supernatural horror film directed by Ramón Peón , written by Fernando de Fuentes and Carlos Noriega Hope , and stars Ramón Pereda , Virginia Zurí, Adriana Lamar and Carlos Orellana .
La Llorona received praise from Katie Rife from The A.V. Club, who felt that the film offered "a more intelligent spin on the legend than last year’s schlocky The Curse Of La Llorona". She praised its direction, visual style and story which "layers elements of class, race, and gender conflict on top of creeping horror atmosphere", but ...