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" Tu che le vanità" (French: "Toi qui sus le néant", lit. 'You who knew the emptiness') is an aria for soprano from the first scene of the final act of Verdi 's 1867 opera Don Carlo . It was composed to a French text and later translated into Italian, the language in which it is most well known and most often performed.
Vanitas (c. 1650–1670) by Mattia Preti. Vanitas is an oil-on-canvas painting executed ca. 1650–1670 by the Italian artist Mattia Preti, now inventory number 9283 in the Uffizi in Florence, for which it was bought in 1951 from a private collection.
Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.
Noi vogliam Dio, Vergin Maria" is a Marian hymn from the Italian folk tradition. It is a translation of the French hymn "Nous voulons Dieu", written and composed for a pilgrimage to Lourdes on 11 September 1882 by François-Xavier Moreau, parish priest of Sorigny. Both music and lyrics were published into a booklet whose fourth edition was ...
Memorial plaque on the birth house of Fabrizio De André in Pegli De André in 1960. Fabrizio De André was born in Pegli, Genoa, Italy, to an upper-class family.He had a warm, deep voice, [6] and started playing guitar at the age of 14. [7]
Vanitas (Latin for vanity) by Léon Bazille Perrault, 1886. Vanity is the excessive belief in one's own abilities or attractiveness to others. Prior to the 14th century, it did not have such narcissistic undertones, and merely meant futility. [1]
A bonfire of the vanities (Italian: falò delle vanità) is a burning of objects condemned by religious authorities as occasions of sin.The phrase itself usually refers to the bonfire of 7 February 1497, when supporters of the Dominican friar Girolamo Savonarola collected and burned thousands of objects such as cosmetics, art, and books in the public square of Florence, Italy, on the occasion ...
Matteo Maria Boiardo (US: / b ɔɪ ˈ ɑːr d oʊ, b oʊ ˈ j ɑːr d oʊ /, [1] Italian: [matˈtɛːo maˈriːa boˈjardo]; 1440 – 19/20 December 1494) was an Italian Renaissance poet, best known for his epic poem Orlando innamorato.