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Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...
The term Gypsy scale refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music, the latter being considered derogatory. Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Hungarian minor scale, double harmonic minor scale, Gypsy minor scale: Oriental mode: Ionian ♯2 ♯5 scale: Locrian 3 7 scale Dorian harmonic (♯4) scale Ukrainian Dorian scale, Romanian minor scale, altered Dorian scale, Dorian harmonic (♯4) scale: Phrygian dominant scale, altered Phrygian scale, dominant ♭2 ♭6 scale (in jazz ...
Gypsy (Aeolian ♯ 4) scale on C. An alternative (and less common) version is the asymmetric Aeolian ♯4 scale, the only difference with the Hungarian minor scale being that the 7th degree of the scale is not raised. [12] [13] This form of the scale can also be used in the fourth mode and would then be referred to as the Neapolitan scale.
The double harmonic major scale [1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar), [1] [2] and Gypsy major scale. [3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees.
Exotic scales like the so-called "Gypsy scale" are rarely used. All melodies are in the classic minor and major tone scales, the harmonies are uncomplicated and have usually a "classic" sound. In a few phrases, only an East Asian influence, or a small part of the scale, was recognized.
The augmented second between its second and third scale degrees gives it an "Arabic" or Middle Eastern feeling to Western listeners. In the Berklee method, it is known as the Mixolydian ♭ 9 ♭ 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V 7 /III and V 7 /VI.