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"5.7.0.5." (also "5-7-0-5") is a song recorded by the British rock group City Boy and written by group members Lol Mason and Steve Broughton. The song was first released as a single in 1978 and then as the first track on the group's fourth album, Book Early (1978).
Bradley John McIntosh (born 8 August 1981), also known as City Boy, is an English-Jamaican singer, rapper, songwriter, actor and record producer. He is a member of the pop group S Club , where he enjoyed five years of hit singles, arena tours and awards.
The New Rolling Stone Record Guide wrote that the album "provided the group's finest, liveliest playing and writing, and made tentative steps toward a unique style." [6]In his regular reviews for Truck & Driver magazine, starting a four of five star review, Shaun Connors wrote, "City Boy are probably most known for their 1978 Top 10 single 5.7.0.5. and little else, but there is so much more to ...
City Boy's first five albums were produced by Robert John "Mutt" Lange, who was recommended to them by Phonogram A&R guy Chris Peers, and their debut album entitled City Boy, was the first full album that Mutt produced after relocating to the UK from South Africa. Lange became the de facto seventh member of the band, helping Chris Dunn hone his ...
City Boy (disc 1) and Dinner At The Ritz (disc 2) (City Boy's second album) are complemented by six bonus tracks on disc 1. New sleeve notes are provided by Malcolm Dome . Press releases inform these releases are re-mastered from original tapes, and that this is the first official release of these albums on CD.
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[1] [2] Music journalist Nick Coleman said that apart from love, "pop is better on cities than anything else." [1] Popular music often treats cities positively, though sometimes they are portrayed as places of danger and temptation. In many cases, songs celebrate individual cities, presenting them as exciting and liberating.
"Your Woman" is a song by British music producer White Town. It was released in January 1997 by Chrysalis , Brilliant! and EMI Records as the lead single from his second album, Women in Technology (1997).