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New Women, according to Barbara Molony, emerged in the late 1920s, out of the New Culture Movement and were viewed as the "educated, patriotic embodiment of a new gender order working to overcome the oppressions of the Confucian family system and traditional society". [45]
The 1920s are characterized by two distinct periods of fashion: in the early part of the decade, change was slower, and there was more reluctance to wear the new, revealing popular styles. From 1925, the public more passionately embraced the styles now typically associated with the Roaring Twenties. These styles continued to characterize ...
Furthermore, the embodiment of The New Woman was introduced, which empowered women to seek independency and equal rights for women. As a result, several changes and improvements were seen in women's economic and political standing, such as the right to vote. [2] Moreover, women challenged traditional and restrictive gender roles with their ...
In the 1920s, new magazines appealed to young German women with a sensuous image and advertisements for the appropriate clothes and accessories they would want to purchase. The glossy pages of Die Dame and Das Blatt der Hausfrau displayed the "Neue Frauen", "New Girl" – what Americans called the flapper. She was young and fashionable ...
In the 1920s, new magazines appealed to young German women with a sensuous image and advertisements for the appropriate clothes and accessories they would want to purchase. The glossy pages of Die Dame and Das Blatt der Hausfrau displayed the "Girl"—the flapper. She was young and fashionable, financially independent, and was an eager consumer ...
3/5 Laura Knight and Artemisia Gentileschi feature among a vast array of little-known female artists in this expansive survey at Tate Britain, but some of the work on display only underlines the ...
Modern girls (モダンガール, modan gāru) (also shortened to moga) were Japanese women who followed Westernized fashions and lifestyles in the period after World War I. Moga were Japan's equivalent of America's flappers, Germany's neue Frauen, France's garçonnes, or China's modeng xiaojie (摩登 小姐). [1]
The Zhenotdel [1] (Russian: Женотдел, IPA: [ʐɨnɐdʲˈdʲel]), the women's department of the Central Committee of the All-Russian Communist Party (Bolsheviks), was the section of the Russian Communist party devoted to women's affairs in the 1920s. It gave women in the Russian Revolution new opportunities until it was dissolved in 1930.