Search results
Results from the WOW.Com Content Network
The dhāraṇī is thought to have originally been a recitation of names and attributes of Harihara (a composite form of the Hindu gods Vishnu and Shiva; Nīlakaṇṭha 'the blue-necked one' is a title of Shiva) said to have been recited by Avalokiteśvara, who was sometimes portrayed as introducing popular non-Buddhist deities (e.g. Hayagriva ...
Hua Tou are based on the encounter-dialogues and koan of the interactions between past masters and students, but are shorter phrases than koans. [2] The Hua Tou method was invented [2] by the Chinese Zen master Dahui Zonggao (1089–1163) who was a member of the Linji school. [3]
The word dhāraṇī derives from a Sanskrit root √dhṛ meaning "to hold or maintain". [3] [30] This root is likely derived from the historical Vedic religion of ancient India, where chants and melodious sounds were believed to have innate spiritual and healing powers even if the sound cannot be translated and has no meaning (as in a music).
Buddhist meditation is the practice of meditation in Buddhism.The closest words for meditation in the classical languages of Buddhism are bhāvanā ("mental development") [note 1] and jhāna/dhyāna (a state of meditative absorption resulting in a calm and luminous mind).
A Buddhist chant is a form of musical verse or recitation, in some ways analogous to the religious musics and hymns of other faiths. There are numerous traditions of Buddhist chanting, singing, and music in all three major schools of Buddhism: Theravada, East Asian Buddhism, and Himalayan Vajrayana.
While Bloom goes rock climbing, wingsuiting and free diving — meaning without an oxygen tank — to about 102 feet below sea level, he's also often reciting Buddhist chants before embarking on ...
In the throat singing prevalent amongst the Buddhist monks of Tibet and Mongolia, [13] the long and slow outbreath during chanting is the core of the practice. The sound of the chant also serves to focus the mind in one-pointed concentration , while the sense of self dissolves as awareness becomes absorbed into a realm of pure sound.
A typical Tibetan Buddhist ritual orchestra consists of a gyaling, dungchen, kangling, dungkar (conch shells), drillbu (handbells), silnyen (vertical cymbals), and most importantly, chanting. Together, the music creates a state of mind to invite or summon deities.