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The term Brick Gothic is used for what more specifically is called Baltic Brick Gothic or North German Brick Gothic. That part of Gothic architecture , widespread in Northern Germany , Denmark , Poland and the Baltic states , is commonly identified with the sphere of influence of the Hanseatic League .
The synagogue, Guimard's only religious building, is characterised by a narrow façade clad in white stone, whose surface curves and undulates while highlighting verticality. Like with his previous projects, Guimard designed the interiors as well, organising the spaces and creating original furnishings that matched the architectural motifs of ...
A "face brick" is a higher-quality brick, designed for use in visible external surfaces in face-work, as opposed to a "filler brick" for internal parts of the wall, or where the surface is to be covered with stucco or a similar coating, or where the filler bricks will be concealed by other bricks (in structures more than two bricks thick).
Throughout the city, most homes from all eras are made of brick or brick and cinder block. Commercial and industrial builders also long embraced brick, with the Distillery District being a prominent example, though today, more efficient materials, such as concrete blocks, are more common for commercial projects. Prominent landmarks have also ...
The Italian term trullo (from the Greek word τρούλος, cupola) refers to a house whose internal space is covered by a dry stone corbelled or keystone vault. Trullo is an Italianized form of the dialectal term, truddu, used in a specific area of the Salentine peninsula (i.e. Lizzaio, Maruggio, and Avetrana, in other words, outside the Murgia dei Trulli proper), where it is the name of the ...
The Medieval stone building tradition in Finland is also preserved in 73 stone churches and 9 stone sacristies added to otherwise originally wood churches. [12] Probably the oldest stone church is the Church of St. Olaf in Jomala, Åland, completed in 1260–1280. The stone churches are characterised by their massive walls, and predominantly ...
The design is a sequence of commissions and abandoned designs, traced through a series of unbuilt schemes and houses at Camden, Parramatta and Pyrmont by Henry Kitchen and Henry Cooper, James Smith and John Verge, the cottages orné Belgenny and Hambledon, and the design of Elizabeth Farm at Parramatta, to the final Palladian architecture house ...
A pair of buildings connected by a courtyard. One of the buildings was a glass-and-stone structure with exhibits and shops, while the other was a restaurant. [157] [158] Indonesia International [146] R. M. Sudarsono (architect); Max O. Urbahn and Abel Sorensen (designers) [159] An exhibition building with a pagoda in front of it. [160]