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"Winged genie", Nimrud c. 870 BC, with inscription running across his midriff. Part of the Lion Hunt of Ashurbanipal, c. 645–635 BC. Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant ...
The carvings come from late in the period of some 250 years over which Assyrian palace reliefs were made, and show the style at its most developed and finest, [6] before decline set in. Ashurbanipal was the last great Assyrian king, and after his reign ended the Neo-Assyrian Empire descended into a period of poorly-recorded civil war between ...
The rock reliefs and tombs at Khinnis are noted by the Duhok Governorate's website to be "the finest ancient rock carvings in the Badinan Region". [4] According to Langendorfer (2012), the site's Great Relief is "the largest single Assyrian sculpture in existence, which depicts a pair of gods attended by the duplicated figure of the Assyrian king".
Relief from the north wall of the Palace of king Sargon II at Dur Sharrukin, 713–716 BC. Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture. Winged genies are usually bearded male figures sporting birds' wings.
The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Sennacherib in Nineveh (in modern Iraq), the relief is today in the British Museum in London, [3] and was included as item 21 in the BBC Radio 4 series A ...
Assyrian sculpture typically placed prominent pairs of lamassu at entrances in palaces, facing the street and also internal courtyards. They were represented as "double-aspect" figures on corners, in high relief. From the front they appear to stand, and from the side, walk, and in earlier versions have five legs, as is apparent when viewed ...
The Black Obelisk of Shalmaneser III is a black limestone Neo-Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud (ancient Kalhu), in northern Iraq, and commemorates the deeds of King Shalmaneser III (reigned 858–824 BC).
The Statue of Ashurnasirpal II is a rare example of Assyrian sculpture in the round that was found in the mid nineteenth century at the ancient site of Kalhu (now known as Nimrud) by the famous archaeologist Austen Henry Layard. Dating from 883–859 BC, the statue has long been admired for its flawless condition and the high quality of its ...
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