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Giovanni Fouchetti (pronounced, 1757-1789) published one of the earliest method books for the mandolin, c. 1771. According to Philip J. Bone, Fouchetti was also known as Fouquet, and he lived in Paris during the 18th Century. He was a professor there in 1788.
A mandoline is used by running a piece of food (with some protection for fingers) along an adjustable inclined plane into one or more blades. On some models vertical blades cut to produce julienne, or a wavy blade is used that produces crinkle cuts. In these models a quarter turn to the food between passes produces dice and waffle cuts.
Cuts with six even sides include: [1] Large dice; (or "Carré" meaning "square" in French); sides measuring approximately 3 ⁄ 4 inch (20 mm); Medium dice; (); sides measuring approximately 1 ⁄ 2 inch (13 mm)
Julienned daikon radish and carrot Red onion julienne for Peruvian ceviche. Julienne, allumette, or French cut, is a culinary knife cut in which the food item is cut into long thin strips, similar to matchsticks. [1]
Italian mandolin virtuoso and child prodigy Giuseppe Pettine (here pictured in 1898) brought the Italian playing style to America where he settled in Providence, Rhode Island, as a mandolin teacher and composer. Pettine is credited with promoting a style where "one player plays both the rhythmic chords and the lyric melodic line at once ...
Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops. The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side.
The Banjo, Mandolin and Guitar (BMG) movement is a music genre based on the family of fretted stringed instruments played with a plectrum or fingers, with or without fingerpicks. The instruments include the banjo, mandolin and guitar. This became popular in the US in the late 19th century and into the 20th century. [1]
To Ellis and all English players, the higher branches of the mandolinistic art were unknown, and the majority of guitarists were satisfied with the limitations of an accompaniment; but since his advent, mandolin and guitar instruction books and music have been published in profusion in this country, but his works maintain their popularity." [1]