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The art historian Ludwig Heinrich Heydenreich, writing for Encyclopædia Britannica, states, "Leonardo envisaged the great picture chart of the human body he had produced through his anatomical drawings and Vitruvian Man as a cosmografia del minor mondo ('cosmography of the microcosm'). He believed the workings of the human body to be an ...
Ugajin - A harvest and fertility kami of Japanese mythology with the body of a snake and the head of a bearded man, for the masculine variant or the head of a woman, for the female variant. Ushi-oni – A Yōkai with the head of a bull and the body of a spider. Zhuyin – A creature with the face of a man and the body of a snake.
1889: Frank Lentini, an Italian-American sideshow performer, was born with a third leg, as well as a fourth foot and two sets of genitals; 1995: Somali baby girl born with three left arms. [4] March 2006: a baby boy identified only as Jie-jie was born in Shanghai with a fully formed third arm: he had two full-sized left arms, one ventral to the ...
S-curve (art) Contrapposto (Italian pronunciation: [kontrapˈposto]) is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane.
The name Ardhanarishvara means "the Lord Who is half woman." Ardhanarishvara is also known by other names like Ardhanaranari ("the half man-woman"), Ardhanarisha ("the Lord who is half woman"), Ardhanarinateshvara ("the Lord of Dance (Who is half-woman), [1] [2] Parangada, [3] Naranari ("man-woman"), Ammaiyappan (a Tamil Name meaning "Mother-Father"), [4] and Ardhayuvatishvara (in Assam, "the ...
It exhibits their divine ability to wield multiple articles, such as weapons, and perform numerous activities simultaneously. [ 5 ] Indologist Doris Srinivasan states that in both Vaishnava and Shaiva imagery, the Chaturbhuja form is regarded to be the manifestation of a deity who descends upon the earth and performs auspicious acts for the ...
The scorpion-man's "woman" responds, in defining lines, that Gilgamesh is two-thirds god but one-third human (Tablet IX 51). Rivkah Harris saw the scorpion-women, like the wife of Utnapishtim in Tablet XI, as traditional and passive wives, whose position was "relational, given definition as wife or daughter."
The fluid motion of the bodies can be seen in how the man's arm flows in a serpentine motion into the woman's arm. [1] When viewing this sculpture from the front, the man's face is only visible in profile. If the viewers move to the side of the statue, they can see his face but no longer the sword. He looks away as if he is ashamed of his defeat.