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As a result, the propaganda kimono designs took on an increasing militaristic air. [7] Wartime animated characters, such as Norakuro, were also frequently appeared in war propaganda kimono textiles. [13] Only since the late 20th-century have scholars in Japan, Europe and the United States begun to seriously study Japanese propaganda kimono. [14]
A type of overcoat traditionally worn by shop keepers, sometimes as uniform by employees of the shop (not unlike a propaganda kimono, but for advertising business), typically with brightly-coloured designs in white, red and blue, often featuring text in Edomoji. The happi is now associated mostly with festivals. Haramaki (腹巻, lit. ' belly ...
Propaganda is the fourth studio album by American rock band Sparks, released on November 11, 1974. Following up their commercial breakthrough, Kimono My House, released earlier the same year, it was a moderate success in the United States and peaked at No. 9 in the UK in 1975. The album cover features an image of a tied-up and gagged Mael ...
Kimono My House became a popular release, peaking at No. 4 on the UK Albums Chart, and was awarded gold status by the British Phonographic Industry (BPI) in September 1974. [ 10 ] [ 11 ] The single " This Town Ain't Big Enough for Both of Us " was a surprise hit and reached No. 2 on the UK Singles Chart , [ 12 ] being certified silver in June 1974.
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Propaganda in Japan during the Second Sino-Japanese War and World War II; Propaganda kimono; S. Senbu; Shinmin no Michi; T. Three Girls Revitalizing Asia
2001 - "Kimono" with Pizzicato Five from Çà et là du Japon. 2001 - "La nuit est là" and "Yo quiero màs dinero" with Grand Popo Football Club from Shampoo Victims. 2003 - "We Are The Clash", a cover for Uncut magazine's The Clash tribute CDs "White Riot" 2004 - "Acid Pants" with Orbital from Blue Album.
"Amateur Hour" is a song by Sparks. It was released as the second single, released by Island Records, from their 1974 album Kimono My House.Bassist Martin Gordon was requested to replace his original bass part (recorded using a Rickenbacker 4001 bass) with a Fender Precision bass, belonging to his subsequent replacement in the band.