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Christian Kabbalists sought to transform Kabbalah into "a dogmatic weapon to turn back against the Jews to compel their conversion – starting with Ramon Llull", whom Harvey J. Hames called "the first Christian to acknowledge and appreciate kabbalah as a tool of conversion", though Llull was not a Kabbalist himself nor versed in Kabbalah. [4]
The understanding of the word Kabbalah undergoes a transformation of its meaning in medieval Judaism, in the books which are now primarily referred to as 'the Kabbalah': the Bahir, the Zohar, Etz Hayim etc. [29] In these books the word Kabbalah is used in manifold new senses.
Medieval Kabbalah depicts a linear descending hierarchy of Ohr "Light", the ten sefirot or divine attributes emerging from concealment in the Ein Sof "Divine Infinity" to enact Creation, with the Four Worlds unfolding sequentially until physical creation. Lurianic Kabbalah, in contrast, describes dynamic processes of exile and redemption in the ...
The primary texts of Kabbalah were allegedly once part of an ongoing oral tradition.The written texts are obscure and difficult for readers who are unfamiliar with Jewish spirituality which assumes extensive knowledge of the Tanakh (Hebrew Bible), Midrash (Jewish hermeneutic tradition) and halakha (Jewish religious law).
Pardes Rimonim (meaning "Orchard of Pomegranates", [1] with the word pardes having the double meaning of kabbalistic "exegesis") is a primary text of Kabbalah composed in 1548 by the Jewish mystic Moses ben Jacob Cordovero in Safed, Galilee. 16th century Safed saw the theoretical systemisation of previous Kabbalistic theosophical views.
Lurianic Kabbalah gave a seminal new account of Kabbalistic thought that its followers synthesised with, and read into, the earlier Kabbalah of the Zohar that had disseminated in Medieval circles. Lurianic Kabbalah describes new doctrines of the origins of Creation, and the concepts of Olam HaTohu (Hebrew: עולם התהו "The World of Tohu ...
Hekhalot literature (sometimes transliterated as Heichalot), from the Hebrew word for "Palaces," relates to visions of ascents into heavenly palaces.The genre overlaps with Merkabah or "Chariot" literature, which concerns Ezekiel's chariot, so the two are sometimes referred together as "Books of the Palaces and the Chariot" (ספרות ההיכלות והמרכבה ).
The word "notarikon" is borrowed from the Greek language (νοταρικόν), and was derived from the Latin word "notarius" meaning "shorthand writer." [2] Notarikon is one of the three methods used by the Kabbalists (the other two are gematria and temurah) to rearrange words and sentences. These methods were used to derive the esoteric ...