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Libertad Lamarque Bouza (Spanish pronunciation: [liβeɾˈtað laˈmaɾke]; 24 November 1908 – 12 December 2000) was an Argentine and Mexican actress and singer, became one of the most iconic stars of the Golden Age of cinema in both Argentina and Mexico. [1]
Se Me Va la Vida; No Dices Nada; Usted Se Me Llevó la Vida; Falso Amor; Eso Eres Tú; Mi Vida (2005) Mi Vida; Cada Quien Su Camino; O Me Quieres o Me Dejas; Mi Quisqueya; El Cigarillo; Jeffrey Acabó Con To' Morir de Amor; Ay la Gente; Esta Es la Primera Vez; Ni el Odio Ni la Mentira; Si Yo Me Vuelvo a Enamorar; Sufriendo de a Duro; La Mujer ...
Amada enemiga (English: Beloved Enemy) is a Mexican telenovela produced by Carlos Sotomayor for Televisa in 1997. [1] This telenovela based on radionovela Cuando la rival es una hija by Inés Rodena. On Monday, August 18, 1997, Canal de las Estrellas started broadcasting Amada enemiga weekdays at 7:00pm, replacing Gente bien.
Amada Irma Perez (born 1951) is a Mexican American writer and advocate for programs encouraging multicultural understanding. She has written four children's books and is a recipient of the 2004 Pura Belpré Award for illustration.
Daughter of Rage (Spanish: La hija de todas las rabias, lit. ' The daughter of all rages ' ) is a 2022 drama film written, co-produced and directed by Laura Baumeister de Montis in her directorial debut achieved the milestone of becoming the first Nicaraguan woman to direct a fiction film. [ 2 ]
In 1996 she received the Lumen Women's Award for her novel La hija de Marx. [4] She is also the author of the novels Si un hombre vivo te hace llorar , No le digas que lo quieres , and Salsa . In her essay books she has addressed topics related to women and culture, as in her work Mujeres a contracorriente .
Niña amada mía (English: My Lovely Girl) is a Mexican telenovela produced by Angelli Nesma Medina for Televisa in 2003. [1] It is an adaptation of the 1985 Venezuelan telenovela Las amazonas. [2] On Monday, January 27, 2003, Canal de las Estrellas started broadcasting Niña amada mía weekdays at 8:00pm, replacing Así son ellas. [3]
She made her cinema debut in 1959 with José María Forqué in the film De espaldas a la puerta. [1] Other titles followed during the first half of the sixties, such as Siempre es domingo (1961) by Fernando Palacios, Cuidado con las personas formales (1961) by Agustín Palacios, Más bonita que ninguna (1965) by Luis César Amadori, with Rocío ...