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3rd or 4th century CE Kamasutra, Vatsyayana, 13th-century Jayamangala commentary of Yashodhara, Bendall purchase 1885 CE.Kamasutra elaborate the idea of Shadanga. [6]The concept of the Six Limbs of Indian Painting, or Ṣaḍaṅga, finds its roots in ancient Indian texts and treatises on art and aesthetics, reflecting a holistic approach to artistic creation.
Spear technique is considered more difficult and is taught after the sword. The spear emphasizes phanba, an opening out of the body with two forms: nongphan to simulate the expanse of the sky and leiphal emulating the expanse of the ground. Generally speaking, the spear demands more of the lower body while the sword uses more of the upper body.
The Poothara ("Flower ground" or "Flower floor" in Malayalam) in a kalari is a seven-step raised platform with a lotus-shaped kumbha or figure, at its apex. The art uses concepts similar to the ancient Indian medical text, the Ayurveda, [12] and the seven steps represent the seven dhatu and the kosha of the human body as per Ayurvedic traditions
The most commonly taught weapons in the Indian martial arts today are types of swords, daggers, spears, staves, cudgels, and maces. [53] Weapons are linked to several superstitions and cultural beliefs in the Indian subcontinent. Drawing a weapon without reason is forbidden and considered by Hindus to be disrespectful to the goddess Chandika ...
Indian elements were present in their works from the beginning, with the incorporation of local Indian flora and fauna that were otherwise absent from the traditional Persian style. The paintings of this time reflected the vibrancy and inclusion of Akbar's kingdom, with production of Persian miniatures , the Rajput paintings (including the ...
[12] [13] Such multiple body parts represent the divine omnipresence and immanence (ability to be in many places at once and simultaneously exist in all places at once), and thereby the ability to influence many things at once. [12] The specific meanings attributed to the multiple body parts of an image are symbolic, not literal in context. [14]
Shilpa Shastras (Sanskrit: शिल्प शास्त्र śilpa śāstra) literally means the Science of Shilpa (arts and crafts). [1] [2] It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards.
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...