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...and pat a cake Bakers man, so I will master as I can, and prick it, and prick it, and prick it, and prick it, and prick it, and throw't into the Oven. [2] The next appearance is in Mother Goose's Melody (c. 1765) in the form: Patty Cake, Patty Cake, Baker's Man; That I will Master, As fast as I can; Pat it and prick it, And mark it with a T,
Composition and lyrics [ edit ] "Pills & Automobiles" is a trap up-tempo song, that runs for 4 minutes and 52 seconds, produced by OG Parker , The Martianz and Smash David , where each artist on the track performs one verse, with Brown doing a chorus that starts with the repetition of the word "wet", and ends alternating ad-libs with a mumbled ...
The Woggle-Bug is a 1905 musical based on the 1904 novel The Marvelous Land of Oz by L. Frank Baum, with book and lyrics by the author and music by Frederic Chapin that opened June 18, 1905 at the Garrick Theater in Chicago under the direction of Frank Smithson, a Shubert Organization employee.
An American newspaper reviewing A Gaiety Girl in 1894 explained the importance of the Gaiety Girls: "The piece is a mixture of pretty girls, English humor, singing, dancing and bathing machines and dresses of the English fashion. The dancing is a special feature of the performance, English burlesques giving much more attention to that feature ...
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20. Happiness being a dessert so sweet, May life give you more than you can ever eat. 21. My seven blessings on you. 22. May you live long, Die happy,
Eden, David; Meinhard Saremba (2009). The Cambridge Companion to Gilbert and Sullivan. Cambridge Companions to Music. Cambridge: Cambridge University Press. ISBN 978-0-521-88849-3. Lister, Linda (2018). So You Want to Sing Light Opera: A Guide for Performers. Rowman & Littlefield. ISBN 978-1-442-26939-2. Williams, Carolyn (2010).
"Patty Cake" is a song recorded by American rapper Kodak Black. It was released via Atlantic Records on March 31, 2017 as a track in Black's debut studio album Painting Pictures and a music video was released on August 9, 2017. It was described as a "bouncy piano driven track" by Complex Magazine. [1]