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Who has enjoyed the trust of pure women, the respect of intelligent men and the love of little children; Who has filled his niche and accomplished his task; Who has never lacked appreciation of Earth's beauty or failed to express it; Who has left the world better than he found it, Whether an improved poppy, a perfect poem, or a rescued soul;
"Nothing Gold Can Stay" by American composer William Thayer Ames, [6] a choral setting of the poem. "Nothing Gold Can Stay" by American composer Cecil William Bentz, [7] a choral setting of the poem in his opus, "Two Short Poems by Robert Frost." "Nothing Gold Can Stay" [8] by American composer Steven Bryant, [9] an instrumental chorale ...
French considers the native woman to be "at least ideally human" and she is the poem's penultimate section. When she departs, the poem ends in joy, [9] as the narrator sees a vision of a world in "perfect order". [7] The poem ends on a happy note as the narrator views people in better health: [9]
The poet, Robert Browning "Andrea del Sarto" (also called "The Faultless Painter") is a poem by Robert Browning (1812–1889) published in his 1855 poetry collection, Men and Women. It is a dramatic monologue, a form of poetry for which he is famous, about the Italian painter Andrea del Sarto.
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
Rose was born in the West Indies in 1806 [2] or 1808, [3] and is believed to have migrated to Salford as a child. Though himself a gentleman of independent means, he was associated with a group of working class poets known as the Sun Inn Group, who met regularly at the Sun Inn on Long Millgate, Manchester.
In addition to the list of first lines which link to the poems' texts, the table notes each poem's publication in several of the most significant collections of Dickinson's poetry—the "manuscript books" created by Dickinson herself before her demise and published posthumously in 1981; the seven volumes of poetry published posthumously from ...
Although Joan Richardson's reading makes the case that the poem's "true subject" is an extended holiday that Stevens and his wife, Elsie, took in the fall of 1923, and specifically that the true subject is the poet's sexuality, [14] rather it is the powerful "poetry of the subject" that displays Stevens' genius and draws readers to the poem, as ...