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Under the 1988 Act, copyright in a sound recording expires (a) 50 years after the recording is made if it is then still unpublished, or (b) if the recording is published during that period then 50 years from the date of publication, or (c) if during the initial 50 years the recording is played in public or communicated to the public then 50 ...
Test of first ownership of copyright in sound recordings. A&M Records v Video Collection International [1995] - Torvill and Dean wanted to create music to dance to. Their service company, Inside Edge ("IE"), was given the task of doing this. IE engaged a Mr. Pullen who in turn engaged an arranger and a conductor (R).
In the European Union and Canada, sound recordings were copyrighted for 50 years until 2013. On 1 January 2013, the Beatles' single "Love Me Do" entered the public domain. [7] As of November 2013, European sound recordings are now protected for 70 years, which is not retroactive. [8] In 2015, Canada changed the copyright length to 70 years. [9]
In 2015 the library launched the 'Save Our Sounds' programme to address the urgent need to digitise unique recordings in the UK's sound archives. These recordings are at risk of being lost due to deterioration of physical recording formats and decreasing availability of playback devices. [7] The aims of the programme are: [8]
PPL was founded by Decca Records and EMI and incorporated on 12 May 1934, [2] and undertakes collective rights management of sound recordings on behalf of its record-company [3] members, and distributes the fees collected to both its record company (rights holder) members and performer members. [3]
The Recording Industry Association of America has announced the filing of two copyright-infringement cases against the AI music services Suno and Udio based on what it describes as “the mass ...
70 years after release; if not released, 70 years after making (sound recordings). [239] Recordings which entered the public domain prior to 1 January 2013 are not retroactively covered. 50 years from end of calendar year when the broadcast was first made (broadcasts) [238]: s. 14 Yes [238]: s. 12, 13 United States [240]
A sound recording has a separate copyright that is distinct from that of the underlying work (usually a musical work, expressible in musical notation and written lyrics), if any. The sound recording copyright notice extends to a copyright for just the sound itself and will not apply to any other rendition or version, even if performed by the ...
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