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Religious traditions of African origin have survived in Cuba, and are the basis of ritual music, song and dance quite distinct from the secular music and dance. The religion of Yoruban origin is known as Lucumí or Regla de Ocha ; the religion of Congolese origin is known as Palo , as in palos del monte . [ 11 ]
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Pages for logged out editors learn more. Contributions; Talk; List of Sub-Saharan African folk music traditions
Now practiced in North Africa in the form of the Andalusi nubah, [12] this tradition has also had considerable effect on Ottoman classical music, especially in the Sephardic romance and Maftirim repertoire. [13] Ottoman classical music: At least 3rd century AD (as Persian traditional music), emerged as a unique tradition in the 17th century. [9 ...
The first Cuban popular music genres that emerged to the public awareness at the beginning of the 19th century, known as Punto cubano and Zapateo, [6] were created by peasants without any formal musical education; as well as the popular styles of Rumba Urbana or "de cajón" (wooden boxes) and the Cuban Carnival Conga (music). [7] Also the Cuban ...
Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2] C. K. Ladzekpo also affirms the profound homogeneity of approach. [3]
Colombian music (see page for full list of musical forms) Cuban music (see page for full list of musical forms) Afro (genre) Son; Music of the Dominican Republic (see page for full list of musical forms) Bachata; Merengue; Music of Ecuador; Bambuco; Bomba (Ecuador) France; Afro trap [1] [2] French hip hop; Raï; Garifuna music; Music of Belize ...