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Instead, they use additional, often subtle, pictorial elements to create the illusion of a reality which in fact either does not exist or cannot be seen by the human eye. [16] Furthermore, they may incorporate emotional, social, cultural and political thematic elements as an extension of the painted visual illusion; a distinct departure from ...
Olamilekan was born in either 2006 or 2007. He lives in Lagos and attends the Ayowole Academy of Art. [4] He began drawing at the age of 6. On 3 July 2018, in two hours, he drew a hyper-realistic portrait of French President Emmanuel Macron, during the president's visit to the Fela Kuti's New Africa Shrine in Lagos, Nigeria.
Ceiling of the Treasure Room of the Archaeological Museum of Ferrara, Italy, painted in 1503–1506. Trompe-l'œil (French for 'deceive the eye'; / t r ɒ m p ˈ l ɔɪ / tromp-LOY; French: [tʁɔ̃p lœj] ⓘ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface.
Several new artificial intelligence tools have been released this summer that allow for the creation of hyperrealistic photos, making it easier than ever to alter, or entirely fabricate, an image.
He specialises in hyper-realistic portrait drawings of ordinary people and celebrities. His work is often mistaken for photographs due to their detail and likeness to reality. [9] The style in which Okafor creates his portraits is known as Hyperrealism. Art Critic, Estelle Lovatt describes his work as 'Emotional Realism'.
Ken Nwadiogbu (popularly known as KenArt; born 1994) [1] is a Nigerian-born multidisciplinary visual artist, based in London. [2] He calls his "method contemporealism" – a fusion that is primarily centred on hyper-realism and contemporary art. [3]
[4] Her works are primarily hyper-realistic, large scale ink drawings of luxury objects that sometimes take 200 hours to complete. [5] Working with ink on paper her pieces are achieved through layers of what she refers to as scribbles. [4] [2] [6] She uses photographs with edited saturated lighting, a ruler and a pen as a guide for their ...
Hyperreality is significant as a paradigm to explain current cultural conditions. Consumerism, because of its reliance on sign exchange value (e.g. brand X shows that one is fashionable, car Y indicates one's wealth), could be seen as a contributing factor in the creation of hyperreality or the hyperreal condition.
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