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Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Gregorio is written especially for Gregorian chant in square notation and does not cover modern European musical notation. Similar to LilyPond it does not provide a graphical user interface. The notation is done via simple text input. It follows the gabc-syntax, which is defined by the Gregorio Project for this purpose.
In 2004, it was re-issued along with its follow-up, Chant II as Chant: The Anniversary Edition by Angel/EMI Classics. The album was spoofed by members of the comedy rock band Big Daddy, performing as the Benzedrine Monks of Santa Domonica, in their album Chantmania, [10] which included Gregorian-inspired versions of notable pop songs.
The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel, the chants in the Liber Usualis originated in the 11th century. [1]
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
The chants can be sung by using six-note patterns called hexachords. Gregorian melodies are traditionally written using neumes, an early form of musical notation from which the modern four-line and five-line staff developed. [1] Multi-voice elaborations of Gregorian chant, known as organum, were an early stage in the development of Western ...
The main player in the history of Gregorian chant semiology in the 19th century is the Benedictine community of the Abbey of St Peter in Solesmes, which was established in 1833 by Fr Prosper Guéranger, who wished to create single authoritative editions of chant via paleographical study. This led to the scholarly monks of the abbey, chief among ...
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.