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Page:Manifest Destiny in the West.pdf/12 Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
This is an accepted version of this page This is the latest accepted revision, reviewed on 9 January 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
The Jacksonians favored expansion across the continent, known as manifest destiny, dispossessing American Indians of lands to be occupied by farmers, planters, and slaveholders. Thanks to the annexation of Texas , the defeat of Mexico in war, and a compromise with Britain, the western third of the nation rounded out the continental United ...
The cultural endeavor and pursuit of manifest destiny provided a strong impetus for westward expansion in the 19th century. The United States began expanding beyond North America in 1856 with the passage of the Guano Islands Act , causing many small and uninhabited, but economically important, islands in the Caribbean Sea and the Pacific Ocean ...
A Currier and Ives print from 1868 uses the same title and theme for a very different print, showing a railroad crossing a new settlement as the train goes west. A photographic print and a stereograph by Alexander Gardner, [2] both of an 1867 end-of-track frontier construction train, were titled Westward The Course of Empire Takes Its Way.
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American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
Westward movement may describe: The ideology of manifest destiny in American history; United States territorial acquisitions involving historical expansion of the United States territory westward; The mural "Westward Movement: Justice of the Plains and Law Versus Mob Rule" by American artist John Steuart Curry