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The Odyssey is a two-oscillator analog synthesizer, and one of the first with duophonic capabilities (the ability to play two notes at the same time). All parameters, including a resonant low-pass filter, a non-resonant high-pass filter, ADSR and AR envelopes, a sine and square wave LFO, and a sample-and-hold function are controllable with sliders and switches on the front panel.
Development of the BespokeSynth software was started in 2011, when Ryan Challinor wanted to learn more about creating music, but didn't want to learn "the intricacies of an existing DAW". [5]
The littleBits Synth Kit is an analogue modular synthesiser developed by the American electronics startup littleBits in collaboration with the Japanese music technology company Korg. Released in late 2013 after a design process of around nine months, the kit features 12 small modules (called "bits") that can be connected to form larger circuits.
Korg Opsix - altered FM-synthesizer with 3-octave keyboard. Operators can do FM, Ring Mod, Filter FM, as well as act as either a filter or wavefolder; Korg ARP 2600FS - semi-modular synthesizer, a reproduction of their ARP 2600 synthesizer from the 70s. Korg RK-100S v2 - update to the new version from 2014 of the popular keytar from the 80s.
[15] [16] Their second original synth was the Neutron and their third was Behringer Crave, a semi-modular synthesizer released in 2019. [9] The next synth was the Model D, a desktop clone of the Minimoog. The following year, the Poly D was released, with the same "D type" circuits as the Model D, but now with 4 oscillators and a keyboard.
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores.
The CZ synthesizers also had the ability to stack up two different sounds via the "tone mix" feature resulting in a functionally monophonic synthesizer; this was Casio's version of the "unison" feature other polyphonic synthesizers had. Each part in a two-patch stack could be a different patch, allowing great flexibility in stacked sounds.
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. [5] [6] [7] It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia.