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For instance, the first piece of the cycle is a canon of gestures. (2008) "I Predict Some Quiet" by the Kaiser Chiefs (2005) "In Remembrance" by Pan.Thy.Monium on Khaooohs and Kon-Fus-Ion (1996) "[intermission]" by Titus Andronicus (band) on The Most Lamentable Tragedy (2015) "Intentionally Left Blank" by James Holden (in The Idiots Are Winning ...
The second movement is in ternary form (or sonata form without development [4]).It opens with a highly ornamented lyrical theme in 3 4 time in F major (mm. 1–16). This is followed by a more agitated, 5-measure transitional passage in D minor (mm. 17–22) accompanied by quiet parallel thirds, followed by a passage full of thirty-second notes in C major (mm. 23–31). [4]
The Ballade, dedicated to Camille Saint-Saëns, dates from 1877, and is considered one of the three masterpieces of his youth, along with the first violin sonata and the first piano quartet. [14] It is one of Fauré's most substantial works for solo piano, but is better known in a version for piano and orchestra that he made in 1881 at Liszt's ...
"Chopsticks" was used as the introductory music to Edgar Kennedy's series of short comedies made at the RKO Studios, from 1931 until his death in 1948. American composer and educator John Sylvanus Thompson published a set of variations on "Chopsticks" in 1941. [4] The first three Pooch the Pup cartoons used "Chopsticks" as their opening music.
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A contrasting theme from the first section. The piece is marked Lento con gran espressione and is written in common time.After a quiet introduction, the main theme starts at bar 5, with the left hand playing broken chords in legato slurs throughout the section, imparting a haunting and continuous quality to the music.
First line of Grieg's arrangement. In 1876–1877, Edvard Grieg arranged this sonata for two pianos, by adding further accompaniment on the second piano part, whilst the first piano part plays the original as Mozart wrote it. [3] Grieg's intent was to "impart to several of Mozart's sonatas a tonal effect appealing to our modern ears". [4]
Robert Schumann saw Beethoven's influence in the work, and thought of it as the piano version of a symphony. Joseph Joachim's orchestration of the work was performed from the 19th to the 21st century. From the second half of the 20th century the Sonata was however more readily appreciated as a piano piece with orchestral effects, like many ...
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