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The tempo instruction is ruhig (quiet), equivalent to andante. The vocal range is mainly from E-flat 4 to F 5, with one G 5 –A-flat 5 figure. The song begins with a two-bar piano introduction. The first four lines of each stanza take four bars, followed by a two-bar interlude, and four bars for the next four lines.
For instance, the first piece of the cycle is a canon of gestures. (2008) "I Predict Some Quiet" by the Kaiser Chiefs (2005) "In Remembrance" by Pan.Thy.Monium on Khaooohs and Kon-Fus-Ion (1996) "[intermission]" by Titus Andronicus (band) on The Most Lamentable Tragedy (2015) "Intentionally Left Blank" by James Holden (in The Idiots Are Winning ...
Images, 1ere série: Scores at the International Music Score Library Project PDF copy of Reflets dans l'eau on Free-scores.com Reflets dans L'eau Ampico piano roll version, recorded in 1916 by Leo Ornstein and again in 2009 on a 1925 Mason & Hamlin Ampico RBB using an original Ampico roll.
Sheet music published in California between 1852 and 1900, along with related materials such as a San Francisco publisher's catalog of 1872, programs, songsheets, advertisements, and photographs. Images of every printed page of sheet music from eleven locations have been scanned at 400 dpi, in color where indicated. University of California ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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The Ballade, dedicated to Camille Saint-Saëns, dates from 1877, and is considered one of the three masterpieces of his youth, along with the first violin sonata and the first piano quartet. [14] It is one of Fauré's most substantial works for solo piano, but is better known in a version for piano and orchestra that he made in 1881 at Liszt's ...
After a quiet introduction, the main theme starts at bar 5, with the left hand playing broken chords in legato slurs throughout the section, imparting a haunting and continuous quality to the music. The theme then shifts to a dreamy pianissimo in bar 21, before returning to the original theme in bar 47, and finally ending in C ♯ major .